Jumping
(2010-2013)
「….畫畫因而是身體的一場舞蹈、儀式、作戰，因為它來自畫家自我身體的驅策，乃是身體尋找 身體的過程。」
– Marc Le Bot,《身體的意象》, (湯皇珍 譯, 1996, Yuan-Liou Co)
與繪畫時不同，當我跳舞時，我會完全沉浸在身體的感覺中——感受它所展現的力量、呼吸的節奏和動作的流暢性。在這個系列中，我試圖透過雙手尋求與畫面更深層的聯繫，包括專注於呼吸的感覺。強調自己在繪畫時身體的狀態，建立起大腦、手和身體之間強而有力的聯繫。
當我捕捉舞者動作的精髓時，我努力體現他們肌肉的緊繃、獨特的節奏和凝視的強烈。每一筆畫都讓我深入探索他們核心的存在，將他們的動作的瞬間轉化為靜止的畫面。
– Marc Le Bot,《身體的意象》, (湯皇珍 譯, 1996, Yuan-Liou Co)
與繪畫時不同，當我跳舞時，我會完全沉浸在身體的感覺中——感受它所展現的力量、呼吸的節奏和動作的流暢性。在這個系列中，我試圖透過雙手尋求與畫面更深層的聯繫，包括專注於呼吸的感覺。強調自己在繪畫時身體的狀態，建立起大腦、手和身體之間強而有力的聯繫。
當我捕捉舞者動作的精髓時，我努力體現他們肌肉的緊繃、獨特的節奏和凝視的強烈。每一筆畫都讓我深入探索他們核心的存在，將他們的動作的瞬間轉化為靜止的畫面。
“Painting is a dance of the body, a ritual, a war. It is driven by the artist’s body. It is a process of body searching for the body.”
– Marc Le Bot, Images du corps (chinese version)
When I’m dancing, I stopped thinking. I can only concentrate on the feeling of my body which gives me strength, breathing, and lines of walking. I won’t feel the body like the dancing time when I am painting. Beyond the mind, I want more from hand, only the feeling of breathing. By the process, I want to understand more the state of my body when I am painting. When the Brain, hand, and body both are linked together. The time I portrayed a dancer action, I try to feel the muscles of his/her’s body, his/her’s rhythm, the residence of his/her’s sight.
– Marc Le Bot, Images du corps (chinese version)
When I’m dancing, I stopped thinking. I can only concentrate on the feeling of my body which gives me strength, breathing, and lines of walking. I won’t feel the body like the dancing time when I am painting. Beyond the mind, I want more from hand, only the feeling of breathing. By the process, I want to understand more the state of my body when I am painting. When the Brain, hand, and body both are linked together. The time I portrayed a dancer action, I try to feel the muscles of his/her’s body, his/her’s rhythm, the residence of his/her’s sight.